no images were found
Archives
- January 2022
- December 2021
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- November 2012
- September 2012
- August 2012
- May 2012
- March 2012
- February 2012
- January 2012
- December 2011
- October 2011
- September 2011
- June 2011
-
Recent Posts
- More Vice and Folly
- Vice and Folly
- resting
- E.H. Shepard
- Non-Schnabel Beach
- Dali blue
- sidewalk delights
- two more Cezannes
- Pickett? Really?
- Brooklyn Windows
- Soutine’s Splash
- A Favorite Theophilus Brown
- Madame Cezanne
- Sheeler’s Lines
- The Economy of Magritte
- Schnabel at the Legion
- A Favorite: portrait of John the Fearless
- Boucher and downward
- July 1: Twombly & Rembrandt, like/unlike
- June 24: learning from not so good
- June 17: those monuments
- June 10: Cezanne’s audacity
- June 3: a favorite: Seurat’s Pierrot
- May 27: Rothko’s touch
- May 20: “Burning a Heretic” by Sassetta
- May 13: distance
- May 6: a favorite: Barbari’s plan of Venice
- April 29: Derain’s experiments
- April 22: Monet’s strong beginning
- April 15: Bliss and/or Ensor
- April 8: Jack Ziegler
- date: two faces
- March 25: love them waterlilies
- March 18: Fitz Hugh Lane, early and late
- March 11: Harnett and Peto
- March 4: newer and older
- Feb 25: Diane Arbus
- Feb 18: a wonderful Bosch
- Feb 11: a favorite Merian
- Feb 4: happy discoveries
- January 27: abstract and not
- date: this time, Parmigianino
- Jan 16: Again
- January 14: Titian’s odd edges
- Jan 7: perfect art
- resting
- Dec. 17: Dylann Roof’s selfie
- Dec. 10: Kensett early and late
- Dec. 3: Arno’s “Cabaret”
- November 26: Rosso scores
- Nov. 19: an unexpected gem
- March 10 Arcimboldo
- Nov. 5: an absurd “Hals”
- Oct 29: those English!
- Oct. 22: Joke (or not)
- October 15: pairing
- October 8: holding the eye
- Oct. 1: Magritte’s elegance
- Sept. 24: the way we live
- Sept. 17: at sea
- September 10: “Girl With Gloves”
- Sept 3: glockenspiel delight
- August 27: dipping into SFMOMA
- August 20: better, definitely better
- August 13: St. Jerome in his study
- August 6: Saturn, one way or other
- July 30: Brace’s Cove
- July 9: Bacon, Eisenstein, & Tonks
- July 2: cats
- June 25: Seurat thinks too much
- June 18: a favorite Lippi
- June 11: the more things change . . .
- June 4: Simonetta
- May 28: Cezanne & de Kooning
- May 21: Arthur Devis
- May 14: Audubon & Kline
- May 7: glorious decoration
- April 30: nudes and nudes
- April 23: the studiolo
- April 16: at the Whitney–fine and oh please!
- April 9: a Trump portait
- April 2: a favorite Fra Angelico
- March 26: Garza & Van Dyck
- March 19: Caravaggio v. Gentileschi
- March 12: copying the Mona Lisa, sort of
- March 5: Lady with a Unicorn
- Feb 27: portraits of Adowa
- Feb 20: Warhol’s Mao
- Feb 13: Close Favorites
- Feb 6: Schoengeur’s artful St. Anthony
- Jan 30: a favorite Desmazieres
- Jan 23: density in battle
- Jan 16: and speaking of Motherwell. . .
- Jan 9, 2016: Motherwell, with cavils
- 12/19: a train of thought
- Dec.12: A Favorite Bechtle
- Dec 5: Peanuts gone wrong
- Nov 27: fashion agony
- Nov. 21: Hiroshige’s many devices
- Nov. 14: debate cacophonies
